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good will bear

Essential Woodshop Book

A practicale book devoted to the ELU Router

Vividly evokes a fictional yet highly realistic memory

Share a nice bedtime prayer with your small child

An excellent book that will give you ideas to build on

Essays and RememberancesJulie Jensen McDonald pieces together the spirit of the Wood family during the demanding and daring times of the 1920s and 30s, capturing the substance that nurtured the talent, resourcefulness, and fierce loyalty demonstrated by Nan Wood Graham until her death in 1990 at the age of ninety-one years. Intriguing and enchanting details, garnered from the vast collection of Grant Wood memorabilia now held by the Davenport Art Museum, and other sources, profile the woman behind the face in American Gothic. Nan tells how she was wooed by her brother into posing for the painting by a promise that no one would recognize her. As the Gothic couple became one of the most celebrated images in art history, she speaks candidly of the joy as well as the vulnerability of "celebrity," including the innumerable parodies which depict a wide range of social conditions.
Joan Liffring-Zug Bourret, Penfield Press publisher, presents a pictorial documentary along with a"Passages in Time" of the Wood family, and rare insights from friends, acquaintances and admirers of Nan and her brother Grant Wood.
Essays by friends and close associates reveal the extent of Nan Wood Graham's devotion to the memory of her brother and to the places where they spent their early years. Personal letters and other commentaries provide a view of her fondness for time and place: early years in Anamosa, Iowa, growing up in Cedar Rapids, the generosity of friends in the Amana Colonies in times of great need, and the support of friends and mentors in the Iowa City and Davenport areas. Nan was often cast as a "fierce guardian of the truths of her brother's life." The Epilogue "Myths About Grant Wood," based on several years of research with Nan and other sources by the late John Zug, presents some truths to dispel many of the myths that often accompany notoriety.
This book adds a dimension to the woman in American Gothic. At age eighty three, Nan said the painting saved her life from being drab. Even though she didn't think the "painted" lady looked anything like her when it was first displayed, she had now decided that: "We look a lot alike. She's really become me."


Kant's Groundwork

Humorous & wise

A Valuable Resourceyou ... at a price everyone can afford. Having been in contact with
the author several months prior to the book's publication, it was
eagerly anticipated. The "finished product" does not
disappoint. As a collector, judge at several major juried shows and
owner of a Native American Trading Company, Kent McManis knows his
stuff! I have only one complaint ... I wish the book were at least
TWICE it's size. At 56 pages .... I hope the author will consider a
second book on the subject as he has with Zuni fetishes.This is the
first book I have found which traces the katsina cycle and includes
the doll on the SAME page where it is discussed. This aspect alone
makes the book a "keeper". Robin Stancliff is to be
commended for 70 beautiful photographs of both contemporary / action
pieces and historic / traditional katsinam as well. If you have never
seen the work of MASTER carvers like Brian and Ronald Honyouti, Cecil
Calnimptewa, Ros George, Loren Phillips and Dennis Tewa ... add this
book to your library. I'm looking forward to VOLUME II, Mr
McManis. Thank you for sharing such a valuable resource with your
readers.